Production Process
A T-Rex puppet is judged on its head, so this one is built around it: a broad skull, teeth set in a visible line, a jaw that opens wide enough to read from the back of a small crowd, and eyes that turn. The body runs olive green with darker mottling across the back and flanks, and a paler underside.
The head carries the act
Children decide whether a puppet is worth stopping for in about two seconds, and they decide with the face. A big head on a short body gives a silhouette that reads instantly at a distance, and it gives the operator somewhere to put the performance: a slow turn, a held stare, a snap of the jaw.
Working the jaw
Your hand enters the opening under the belly and works three things on the internal steel frame: the eyes, the head direction and the jaw. The other hand holds the multi-key remote outside. Because the jaw is a direct mechanical link, the operator feels where the mouth is without looking at it, which matters when the puppet is above a child's eye line.
Sound that arrives with the bite
Four keys, four different calls. The useful pattern is to open the jaw and press on the same beat, then let the sound finish while the mouth closes. The 12V control box with its speaker sits in a pocket, speaker facing the audience, so the sound comes from the puppet rather than from behind it.
Where a T-Rex earns its place
Promotional entrances where a crowd needs a reason to stop walking.
Museum galleries, as a lead-in to a fossil or palaeontology talk.
Mall campaigns at launch weekends, where photos travel further than the event.
Stage and film work, where the jaw and eyes are the two movements that matter.
Notes from the workshop
The body is foam over a steel frame with a textured skin, so the shape survives handling and transport. Keep the jaw hinge clean, wipe the skin after outdoor use, and store with the mouth closed to protect the hinge. Sound boxes should be charged before a set, not swapped mid-performance.
Questions
How big is it?
About one metre from snout to tail tip, which is the size that still fits under an arm.
Can a child hold it?
It is built for an adult operator; children handle it better as an audience than as operators.
Can the sound be louder?
The box is pocket sized by design. If a venue needs more output, tell us the space and we will say what is realistic.
Can we order a different species?
Yes, the same frame takes other heads.
Ask for a quote
Tell us the venue type, how many sets a day, and whether the act travels. That is enough to price it and to say which shell suits the room.
Product Accessories
Packaging and Container Loading
